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Joshua Yeldham

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Joshua Yeldham

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Endurance 2017

Joshua Yeldham’s new collection ‘Endurance’ nurtures a space where boundaries collapse and binaries converge. Through his highly symbolic visual vernacular, the artist takes us on an inward odyssey inspired by recent travels throughout Japan, Arizona and India, as well as his ongoing affiliation with Australia’s Ku-ring-gai and Hawkesbury regions. Working across painting, kinetic and musical sculpture, carved works on paper and photography, Yeldham explores the shared threads that weave cultural ideologies, philosophies and religions across East and West.

For Yeldham, ‘Endurance’ is about ‘going beyond’; about breaching the borders of personal limitation. ‘The parameters placed on our lives are porous’, he says. Embellished with signature tapestries of cartographic carvings, organic pigments and hand-made instruments, the works assimilates Indian Vedic philosophies about the cyclicality of existence with the philosophical and pedagogical tenets of the Japanese archery, or Kyudo. He also reflects on Arizonian Hopi cosmology and the ritualistic tradition of the kachina. Through this, the works in ‘Endurance’ represent a coalescence of local and global; personal and collective; history and contemporaneity. Voyaging through Yeldham’s existential vignettes, we become passengers privy to the artist’s inner world.

Endurance 2017

Joshua Yeldham’s new collection ‘Endurance’ nurtures a space where boundaries collapse and binaries converge. Through his highly symbolic visual vernacular, the artist takes us on an inward odyssey inspired by recent travels throughout Japan, Arizona and India, as well as his ongoing affiliation with Australia’s Ku-ring-gai and Hawkesbury regions. Working across painting, kinetic and musical sculpture, carved works on paper and photography, Yeldham explores the shared threads that weave cultural ideologies, philosophies and religions across East and West.

For Yeldham, ‘Endurance’ is about ‘going beyond’; about breaching the borders of personal limitation. ‘The parameters placed on our lives are porous’, he says. Embellished with signature tapestries of cartographic carvings, organic pigments and hand-made instruments, the works assimilates Indian Vedic philosophies about the cyclicality of existence with the philosophical and pedagogical tenets of the Japanese archery, or Kyudo. He also reflects on Arizonian Hopi cosmology and the ritualistic tradition of the kachina. Through this, the works in ‘Endurance’ represent a coalescence of local and global; personal and collective; history and contemporaneity. Voyaging through Yeldham’s existential vignettes, we become passengers privy to the artist’s inner world.

Brothers

Brothers

Acrylic and cane on hand carved board
160 x 210 cm

The archer’s bow

The archer’s bow

Acrylic and cane on hand carved board
160 x 210 cm

Hawkesbury water hole

Hawkesbury water hole

Acrylic on hand carved linen paper
201 x 201 cm

Endurance – Smith’s Creek

Endurance – Smith’s Creek

Hand carved pigment print (ed. 9/28)
140 x 120 cm

Endurance

Endurance

Oil and cane on hand carved board
204 x 152 cm

Blue Owl – Morning Bay

Blue Owl – Morning Bay

Hand carved pigment print (ed. 24/45)
147 x 145 cm (framed)

Mangrove tree – Summer

Mangrove tree – Summer

Hand carved pigment print on cotton paper (ed. 5/9)
120 x 180 cm

Studio still life – after Kyoto

Studio still life – after Kyoto

Acrylic, collage, resin sculpture, mbira assemblage on hand carved board
213 x 244 cm

Kyoto garden – Yeoman's Bay

Kyoto garden – Yeoman's Bay

Acrylic on hand carved linen paper
201 x 201 cm

Spirit owl

Spirit owl

Hand carved archival print (ed. 30)
115 x 113 cm (framed)

Silver owl IV

Silver owl IV

Hand carved aluminium with cane
60 x 30 cm

Young girl who could make rain

Young girl who could make rain

Acrylic and kinetic sculpture on hand carved board
244 x 213 cm

Fig of endurance

Fig of endurance

Hand carved pigment print on cotton paper, ed. 1/9
150 x 204 cm

Black pandanas hawk

Black pandanas hawk

Acrylic, cane and resin on hand carved cedar
120 x 56 cm

Blue fig – Nashua

Blue fig – Nashua

Acrylic on hand carved linen paper
201 x 201 cm

Cedar rain maker – Arizona

Cedar rain maker – Arizona

Acrylic, cedar and kinetic sculpture
214 x 140 cm

Spirit wood

Spirit wood

Acrylic and cane on hand carved pigment print on dibond ed. 3/9
144 x 294 cm

Black moon owl

Black moon owl

Acrylic and instrument on hand carved board
204 x 152 cm

Fan girl

Fan girl

Acrylic, cane, antique fans and instrument on hand carved board
182 x 122 cm

Fig tree of knowledge

Fig tree of knowledge

Acrylic on hand carved linen paper
201 x 201 cm

Kyoto love owl

Kyoto love owl

Archival pigment print on cotton paper (ed. 3/35)
100 x 77 cm

Rishi of Yeoman’s Bay

Rishi of Yeoman’s Bay

Acrylic and instrument on hand carved board
182 x 122 cm

Code breaker owl – Morning Bay

Code breaker owl – Morning Bay

Acrylic, cane, resin on hand carved board
124 x 93 cm

Morning Bay

Morning Bay

Acrylic on hand carved linen paper
201 x 201 cm

Need of the time

Need of the time

Hand carved pigment print with copper wire and cane on dibond ed. 5/9
144 x 281 cm

Owl of eight moons

Owl of eight moons

Acrylic on hand carved linen paper
201 x 201 cm

Blue waterhole – Nashua

Blue waterhole – Nashua

Acrylic, charcoal and ink on hand carved linen paper
201 x 201 cm

Owl of tranquillity

Owl of tranquillity

Hand carved pigment print on cotton paper (ed. 5/9)
150 x 160 cm

Owl of Yeoman’s Bay – blue moon

Owl of Yeoman’s Bay – blue moon

Acrylic and instrument on hand carved board
213 x 244 cm

Snake boy

Snake boy

Acrylic and cane on hand carved board
204 x 152 cm

Solitude’s Tree – Morning Bay

Solitude’s Tree – Morning Bay

Acrylic on hand carved linen paper
201 x 201 cm

Spotted gum – Yeoman’s Bay

Spotted gum – Yeoman’s Bay

Acrylic on hand carved linen paper
201 x 201 cm

Black mangrove – Camp Sea Hawk

Black mangrove – Camp Sea Hawk

Acrylic on hand carved linen paper
201 x 201 cm

Two headed snake

Two headed snake

Hand carved cedar, cane, steel base
282 x 86 x 50 cm

Surrender tree – black moon

Surrender tree – black moon

Hand carved pigment print on cotton paper, ed. 9
100 x 100 cm

Two hands – Killen Falls

Two hands – Killen Falls

Hand carved pigment print on cotton paper
150 x 204 cm

Young girl of Yeoman's Bay

Young girl of Yeoman's Bay

Acrylic, cedar and kinetic sculpture
214 x 122 cm